Battle of the Piave: The long take and “Call Me by Your Name” There are two long takes of note in Luca Guadagnino’s Call Me by Your Name (2017), the first being a major turning point in the narrative where Elio confesses his feelings to Oliver for the first time, and the second is also the closing shot of the film, of Elio’s face looking into the fireplace, into the flames and his past.
I melted down onto the bench, paralyzed by all the past failures with this woman. Her small, smirked lips curled into a smile of anticipation. I sheepishly nodded and started to play my piece, Une Barque Sur L’ocean by Maurice Ravel—a piece she assigned me one my first lesson, after the music break. My fingers danced across the piano’s.
This list is manually maintained, therefore some of the available pieces may not yet be linked from this page. For an automatically generated alphabetical list of all available pieces, please see. Category:Ravel, Maurice. A list of works in the composer category that are not included here can be found on this page.